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issue 1 june 2004

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head mutterings                                                                                                             1
by sirje niitepõld
when the matter of “the worst suede album” (or whatever grim way you want to put it) is discussed, the votes seem to be rather evenly split between head music and a new morning. there are those who think head music was fascinating and experimental in its coldness but a new morning was bland. then there are those who think head music was mindless and soulless (and pick “elephant man” and “she live in a house” as obvious proof) whereas a new morning saw suede coming back to their roots and doing an album of songs with the songs as the main point again. (we, who take the risk of sounding like blind fanatics and say we actually are fond of both albums, as well as those who say suede haven’t done anything half decent after bernard, haven’t got much to say in this discussion). the press, however, seem to me to have been unanimous since around the time a new morning came out. their consensus of opinion goes something like this: a new morning may be a bit better or a bit worse, but head music, now that was the worst album ever made, not only by suede but by pretty much anyone in pop.

the funny thing about that opinion is that everybody seems to have forgotten that when head music came out, it was actually widely praised as a masterpiece.

steve sutherland, famous for thinking suede were the “best new band in britain” in 1992, decided in his melody maker review in may 1999 that suede then were the – ratata – “best band in britain”. head music, he thought, was “absoruddylutely marvelous”, the “quite probably best ‘proper’ album” by them and worth four and a half stars (same as dog man star, half a star more than coming up). melody maker later declared head music their album of the year. gig reviews were heartening, like one by robin bresnark (who later slagged a new morning off pretty much as badly as you can slag an album off) in november 1999, where he complains about a lack of chemistry, yet praises old and news songs alike, and gives the show a whole five stars.

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